Book review and synopsis for Survive the Night by Riley Sager, A cat-and-mouse thriller set in on a car ride in 1991.
Survive the Night opens in November 1991. Needing a ride back home to Ohio from her college in New Jersey, movie-obsessed student Charlie Jordan ends up in a car with a man who might be a serial killer.
Josh Baxter, the man behind the wheel, is stranger, having met Charlie thanks to the campus ride board. Meanwhile, Charlie is still reeling from the guilt and grief over the murder of her best friend, who became the third victim of the man known as the Campus Killer.
As they travel down the highway in the dead of night, Charlie starts to suspect Josh may be the killer. In this cat-and-mouse thriller, it remains to be seen whether Charlie will manage to survive the night.
Charlie is a female college student whose best friend was recently murdered by a campus serial killer ("The Campus Killer") while she watched. Charlie has a tendency to have hallucinations where she sees movie-like scenes play out in her mind, especially in heightened emotional situations, and she didn't think it was real.
Upset and guilty for not stopping him, Charlie drops out of college. She ends up getting a ride home from a man, Josh, who she starts to suspect is the killer as they drive back.
To be continued...
Note: This is only the first part of the summary. The full summary and a more detailed version will be posted after the book is published on June 29, 2021.
Survive the Night is the newest release from author Riley Sager, this time set in the backdrop of a car ride one night in 1991.
If you’ve read books by Sager before, I’d start by providing a quick warning that this book is a thriller much moreso than a mystery. There’s a mystery element, but this is definitely thriller territory, albeit with a whole host of plot twists.
The setup of the story is based off a standard horror-slash-thriller movie trope — a woman riding in a car with a man who may or may not be a serial killer. In Survive the Night, Charlie is a female college student, who accepts a car ride from a stranger, Josh. The prologue of the book lets you know that the majority of the story takes place in the context of this car ride.
There’s a certain elegance to a simple premise — two people in a car — but it also means that things like dialogue, dramatic tension and the personalities of those two characters need to pull extra weight in keeping the story engaging.
Unfortunately, Charlie makes for a kind of an uneven protagonist. She likes old movies and that’s basically her entire personality. While it plays an important part in the book (and it plays into her character arc), it also makes her kind of an annoying protagonist and she feels a little flat as a character for most of the book. There’s plenty of good thrillers with not-quite-fully-formed characters, but given the pared-down premise, the lack of a compelling main character feels glaringly obvious.
Another issue for me was that a major part of the plot is that Charlie gets strange hallucinations where she zones out and sees movie-like scenes play in her mind (not a spoiler, this is discussed in the first few chapters), usually as a response to an emotionally heightened situations. It’s explained as a kind of escapism-type response mixed in with her love of movies. But if this sounds like a cheap tactic to create problems for her in the book, that’s exactly what it felt like when reading it. So much of the plot hinges on these mind movies that the story feels a little too nonsensical.
To the book’s credit, towards the end especially, there are a ton of fun plot twists and plenty of surprises lurking in pages. If you like twisty stories, this one fits the bill, though the first half may feel less interesting to you.
I should add that I thought the final epilogue was clever. I also liked the way Riley Sager brings various elements of the book neatly together at the end (all his books are great about this!), and the character of Charlie is given a bit more depth as her story arc concludes. I was genuinely pleasantly surprised by a few of the plot turns, too — but ultimately it wasn’t enough to make up for the shortcomings of the book for me.
Read it or Skip it?
This book is, unfortunately, a skip it for me. I feel bad saying this because I like Riley Sager, and I really appreciate how carefully he plots his stories.
However, the main character seems like such a dud through most of the book — in a story setup that really demands a compelling protagonist to carry you through it — and the whole plot device of her getting weird hallucinations leads to a lot of nonsensical ways for things to play out, especially in the first half of the book.
If you really enjoy lots of plot twists, you might consider reading this, though I’d warn you that the book doesn’t really get good until the last quarter.
Survive the Night is a quick and very easy read, but I still struggled to stay interested in it at times. Fans of Riley Sager, perhaps you might like it, but be forewarned that this book definitely feels uneven, with some high points and some very questionable low points.
Not Recommended Published June 29, 2021
Page Count 336 pages
Goodreads3.81 (out of 5)
From the Publisher
Survive the Night opens in November 1991. George H. W. Bush is in the White House, Nirvana's in the tape deck, and movie-obsessed college student Charlie Jordan is in a car with a man who might be a serial killer.
Josh Baxter, the man behind the wheel, is a virtual stranger to Charlie. They met at the campus ride board, each looking to share the long drive home to Ohio. Both have good reasons for wanting to get away. For Charlie, it’s guilt and grief over the murder of her best friend, who became the third victim of the man known as the Campus Killer. For Josh, it’s to help care for his sick father. Or so he says. Like the Hitchcock heroine she’s named after, Charlie has her doubts. There’s something suspicious about Josh, from the holes in his story about his father to how he doesn’t seem to want Charlie to see inside the car’s trunk.
As they travel an empty highway in the dead of night, an increasingly worried Charlie begins to think she’s sharing a car with the Campus Killer. Is Josh truly dangerous? Or is Charlie’s suspicion merely a figment of her movie-fueled imagination?
What follows is a game of cat and mouse played out on night-shrouded roads and in neon-lit parking lots, during an age when the only call for help can be made on a pay phone and in a place where there's nowhere to run. In order to win, Charlie must do one thing—survive the night.